Michael Winterbottom directs this graphically violent thriller based on the novel by Jim Thompson. Casey Affleck stars as Deputy Sheriff Lou Ford, a pillar of the community in the small Texas town of Central City. However, Ford is not quite the upstanding citizen he appears to be, as becomes apparent after he is ordered to evict local prostitute Joyce Lakeland (Jessica Alba) and ends up embroiled in a torrid affair with her. When his fiance Amy (Kate Hudson) becomes suspicious, the consequences are bloody and brutal as the dark secrets of Ford's past are finally brought to light.

A triple bill of the 'Look Who's Talking' films. In 'Look Who's Talking' (1989), Mollie (Kirstie Alley) is pregnant by Albert (George Segal), a married man who won't leave his wife. When her contractions start, she leaps into a taxi, driven by James (John Travolta) who accompanies her not only to the hospital but into the delivery room. Mollie gives birth to a healthy boy, Mikey (voice of Bruce Willis), and soon James is baby-sitting for her while she goes in search of a suitable father. The sequel, 'Look Who's Talking Too' (1990), picks up where the first film left off, with James and Mollie having another baby. Meanwhile, Mikey deals with growing up, the intrusion of a new baby sister Julie (voice of Roseanne Barr) and that daunting rite of passage - toilet training. In 'Look Who's Talking Now' (1993), Mollie is fired from her job, and takes a position in a toy department as a Christmas elf and James lands a job as a private pilot for the vampy socialite Samantha (Lysette Anthony). When the local street dog Rocks (voice of Danny DeVito) is taken home for son Mikey (David Gallagher), Samantha also turns up with her pampered poodle Daphne (voice of Diane Keaton) who Julie (Tabitha Lupien) instantly takes to. The dogs take an instant dislike to each other, but the parents are too tied up with their own problems to notice. When Mollie discovers that Samantha has whisked her husband off for a secret rendezvous on Christmas Eve, she determines to intercept them with kids and dogs in tow.

Sci-fi thriller starring Liev Schreiber. During the first manned space mission to Mars, one of the crew discovers what he believes is proof of bacterial life on the planet. Unwilling to let anyone else take the credit for his find, he sets out against the wishes of his fellow crew members to attain a sample before their relief vessel arrives. However, during what should be a routine excavation, the ground collapses and he falls into the resulting pit. The crew succeed in recovering him, but when they get back to the ship there's something very different about him...

Collection of seven films from Canadian writer/director Atom Egoyan. In 'Exotica' (1994), pet shop owner Thomas (Don McKellar) arrives in town with a secret cache of rare bird eggs. Sharing a cab from the airport he ends up in Exotica, a local strip club. Fascinated by star stripper Christina (Mia Kirshner), he becomes drawn into her sordid lifestyle, along with the club DJ (Elias Koteas) and a disturbed tax auditor (Bruce Greenwood). As the multiple narratives and chronological twists unfold, the characters find their lives becoming inexorably intertwined as they head towards a shocking conclusion. In 'The Adjuster' (1991), Koteas plays Noah Render, an insurance adjuster whose attempts to help others mask a deeper malaise in his own life. His wife Hera (Arsinée Khanjian) is a disillusioned film censor who obsessively copies the most explicit scenes in the films she is supposed to review. After Noah helps a rich young woman whose house has burned down, Hera invites a young film-maker into their home to shoot a movie, and as their elaborate sexual fantasies are acted out on video, they begin to explore a world where voyeurism and exhibitionism are all-consuming. In 'Family Viewing' (1987), Van (Aidan Tierney) finds himself in a difficult situation when he realises that his father Stan (David Hemblen) is recording over the family's home movies with home-made pornography. Not only is Stan's lover Sandra (Gabrielle Rose) completely at the mercy of his dark fantasies, but she also expresses a sexual interest in Van. Dividing his time between the family home and a nearby nursing residence caring for his aging grandmother Armen (Selma Keklikian), Van meets Aline (Khanjian), who works as a phone-sex operator, and the two concoct a plan to escape his emotionally cold father. In 'The Sweet Hereafter' (1997), powerful lawyer Mitchell Stephens (Ian Holm) arrives in a small town in British Columbia after 14 children die in a school bus crash. Announcing that he will win compensation for the townsfolk, Stephens investigates the mysterious circumstances surrounding the accident, discovering various dark secrets lurking beneath the surface. In 'Calendar' (1993), a photographer (Egoyan) and his wife (Khanjian) travel to Armenia to photograph churches for use in a calendar, employing a native speaking driver (Ashot Adamyan) to escort them around the country. On their travels a relationship develops between the photographer's wife and the Armenian guide. Looking back on this time from his apartment in Toronto, the newly separated photographer contacts women through an escort agency and invites them to dinner, all while his estranged wife tries reconcile with him. In 'Next of Kin' (1984), Peter (Patrick Tierney) is a young man from an Anglo-Saxon family who is constantly under pressure to do something meaningful with his life. The family visit a therapist in the hopes of getting to the bottom of the tension between themselves and Peter's apparent laziness. When Peter visits the clinic before the next session hoping to view the video recording of their last meeting he is given the wrong tape and instead is shown the recording of an immigrant family who had given up their first son for adoption upon entering the country. What Peter then suggests to his family and therapist is that he take a break in order to find himself, but what he actually does is assume the identity of this other family's long lost son. Finally, in 'Speaking Parts' (1989), struggling actor Lance (Michael McManus) works in housekeeping at a local hotel while waiting for his first speaking role. Meanwhile, his co-worker Lisa (Khanjian) is obsessed with him and seeks out all the movies he appears in as a means of satisfying her voyeuristic tendencies. When Lance learns a scriptwriter, Clara (Rose), is staying at the hotel he chooses to leave his résumé in her room in the hope that she'll give him a part in her next film about her late brother. Before long the two become romantically involved and Lance finds himself with his first lead role but Clara becomes increasingly distressed when a series of changes are made to her story by the movie's producer.